https://grishambookshelf.exhibits.depaul.press/files/original/6f158c5d12979c4406b3c843ed23ddf5.jpg 023cc6c54e542d6c007035ea24fc8ae3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Record detail images Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poems of Cabin and Field Creator An entity primarily responsible for making the resource Paul Laurence Dunbar Source A related resource from which the described resource is derived New York: Dodd, Mead & Company, 1899. Description An account of the resource Categorized as Paul Laurence Dunbar’s “dialect poems,” The Poems of Cabin and Field were written in an imagined black vernacular. Paired with staged photographs of plantation life, the poetry collection was one of the first publications to project a stylized image of black life at the turn of the 20th century. The photographs were taken by the Hampton Institute Camera Club, a group of amateur African American photographers from the small school in Hampton, Virginia. The Poems of Cabin and Field represents Dunbar’s earliest works that were all written in a fictionalized vernacular. Dunbar’s later poetry received critical acclaim after he discontinued his use of dialectic writing.