https://grishambookshelf.exhibits.depaul.press/files/original/aa9ba3cf4783e6931a2ae22657a065eb.jpg c82d9aca6275b7a6e01e03af63a175d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Record detail images Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tar Baby Creator An entity primarily responsible for making the resource Toni Morrison Source A related resource from which the described resource is derived New York: Alfred A. Knopf, 1981. Description An account of the resource Jazz reverberates across the pages of Toni Morrison’s novels. Taking the techniques from this black musical tradition, rhythms, riffs, solos, and cadences emerge in Morrison’s prose as literary devices. The prose in Tar Baby is no exception. Caught in a tumultuous love affair, Jadine and Son’s entire relationship emulates a call and response. In jazz, a call and response is when musicians trade bars and riffs, repeating and building one on top of the other – a question and answer. This excerpt of Tar Baby exemplifies call and response through dialogue between Jadine and Son, trading sentences and building off one another, the punctuation setting a rhythmic pace.